I wondered who figured out YOUR ‘correct position’. There are quite a number of ways one can hold a pencil, with some ‘correct’ for certain ‘jobs’, while inefficient for others. My suggestion is, in the first place, that you not get habituated to ‘one size fits all’.
As example; when I need to use a very light touch, I back my hand [way] up, close to the unsharpened end, using a fairly new [full-length] pencil. Sometimes; particularly while standing to draw from the figure the rhinoceros, at the zoo, I anchor the butt end of the pencil centered in my palm, and grasp with thumb, index, middle finger, and sometimes the third, or ring finger. I can think of six other grips; all useful, all related to what I see happening on the page, or when I’m lettering, from darkest darks,etc., to fast sketch work, or slow and deliberated. Each works well for some things, not well on the others. WR
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AuthorWill is a sculptor and draftsman, living and working in Cambridge, MA. Artwork depicted on this site that is not given a collector's citation may be available, though the primary purpose of this site is not as a sales center. Many singular items are in the family or private collections and NFS.
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Katya Reimann Kristen Beaumont Reimann Students: (an incomplete list by Katya - who stopped writing "polymath" at the end of each description, because it described pretty much every one of these individuals) Martha Beck -- Life Coach, Author. Louis Bryden -- Artist. Sandro Carella — Artist, Instructor, Musician. Tom Fernandez — Designer, Owner, HTR Construction. Timothy M. Sweeney, MD — Emergency Physician, Medical Illustrator. Dan Wilson — Musician, Songwriter, Artist. George Wilson — Master Luthier Julie Zickefoose — Author, Naturalist,, Musician. |