William P. Reimann
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A Question for Will: How do I cross hatch in drawing?

4/20/2018

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First, I’d have you back up to think about why you want to use this technique. I’d start by defining it more broadly as ‘hatching’, meaning: an organized grouping of [usually, but not always], parallel lines that can ‘read’ as a tonal area.

That way you can think about how you want the lines you lay down to support what you’re drawing. There are many ways they can work: they can speak to the play of light on solids [shade and shadow], describe the topography of a surface, or serve as overlapping ‘curtains’, allowing some parts to appear as being ahead or behind others, and so on. Those are three very different attitudes of application, and there are many more.

WR

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    Author

    Will is a sculptor and draftsman, living and working in Cambridge, MA.

    This site is maintained by his daughter, Katya

    Artwork depicted on this site that is not given a collector's citation may be available, though the primary purpose of this site is not as a sales center.  Many singular items are in the family or private collections and NFS.

    Will continues to accept commissions, as time permits.

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  • Home
  • "Aerial VIII"
  • Art
    • Plexiglas™ & Steel >
      • Plexiglas™ & Steel
    • Stone >
      • Stone
      • River Roundies
      • Abstract Panel Sculptures
      • Heritage Series
      • Holyoke
      • Cambridge Parks
      • Rousseau
      • Hand-carved Furniture
      • Metal & Glass
      • Piers Park Pavilion
    • Wood
    • Wood >
      • Metal & Glass
      • Rhinoceros
      • Pistachio Bowl
    • Radnor Township
    • Drawings
    • Ephemera >
      • Nutik
  • Current: the Zietlow Trophy
  • Curriculum Vitæ
  • Archive
    • Archive Metalwork & Glass
    • Archive Drawings
  • Contact
  • Will's Blog